Credo (Version for Solo Violin, Vocal Quartet, Percussion, Charango, Guitar and String Orchestra)ĭR13 -3.33 dB -21.74 dB 2:19 04-Misa Criolla: IV. Gloria (Version for Solo Violin, Vocal Quartet, Percussion, Charango, Guitar and String Orchestra)ĭR13 -1.00 dB -17.53 dB 3:10 03-Misa Criolla: III. Kyrie (Version for Solo Violin, Vocal Quartet, Percussion and String Orchestra)ĭR14 -1.00 dB -19.94 dB 5:30 02-Misa Criolla: II. Bateman for Solo Violin, Voice, Harp, Piano and String Orchestra) (5:02)įoobar2000 1.4.8 / Dynamic Range Meter 1.1.1Īnalyzed: Daniel Hope, Zürcher Kammerorchester / HopeĭR13 -7.59 dB -24.60 dB 3:50 01-Misa Criolla: I. Dream a Little Dream (Version for Solo Violin, Harp, Piano and String Orchestra) (3:24)ġ5.
Bateman for Solo Violin, Harp and String Orchestra) (4:32)ġ4. Mason and Ungar for Violin, Baritone and Piano) (4:32)ġ3. Bateman for Violin and Vocal Ensemble) (4:11)ġ2. Adagio in G Minor (Formerly Albinoni’s Adagio) (8:15)ġ1. Heinzel for Violin and Vocal Ensemble) (4:31)Ĩ. Time Stands Still (Version for Violin and Vocal Ensemble) (4:34)ħ. This is bound to be a major success during the 2021 holiday season and beyond.Misa Criolla (Version for Solo Violin, Vocal Quartet, Percussion and String Orchestra)Ħ. What Hope accomplishes here is anything but familiar. Everything hangs together nicely, and yes, Hope is sentimental in a way, but real sentimentality depends on an appeal to the familiar. Thomas Hampson contributes a lovely take on Stephen Foster's Ah! May the Red Rose Live Alway, not often heard in this context, and Arvo Pärt sounds perfectly natural on a program with Amazing Grace.
Hope has a knack for mixing familiar material, including the so-called Albinoni Adagio (one of the most sentimental string pieces of all time), here correctly credited to its creator, Remo Giazotto, with novel pieces. It's a delightful, joyous reading, and things remain at a high level throughout, with the small Ensemble Amarcord adding textural variety. Most of the music is arranged from some other medium, beginning with the Misa Criolla of Ariel Ramirez this favorite of amateur choirs appears with the solo voice part transferred to Hope's violin and a vocal quartet replacing the choir. There's a good deal of sentiment layered on, but those who might think it's all too much are invited to consider how original the music is here. Both playing violin and conducting the Zürcher Kammerorchester (Zurich Chamber Orchestra), Daniel Hope explicitly designates this album as a ray of hope in the time of coronavirus.
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